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1978 |
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JANUARY |
|

Bowie Now
promo LP issued in the US, featuring tracks from Low
and "Heroes" (RCA DJLI-2697).
12
Minutes with David Bowie by John Tobler published in Zigzag
magazine.

6 Beauty
and the Beast/Sense of Doubt
single released by RCA, the second from "Heroes". |
7 Amanda Lear interviewed
for Melody Maker by Chris Brazier.
"With David it was great because it was a kind
of symbiosis, an exchange, it wasn't just take, take, take. I introduced
him to Germany, to expressionism and to Fritz Lang. I told him about
Dali (one of Amanda's old friends) and he used Un
Chien Andalou on his tour. Before I met him I was reading
Tolkien and Herman Hesse, now I read Machiavelli."
Bowie and Joey leave Switzerland for Berlin with
Joey's Scottish nanny, Marion. Angie had stayed in New York over
Christmas, fuelling a row which had been growing between herself
and Bowie for some years. Bowie, furious that she hadn't even telephoned
Joey at Christmas, was accused of 'kidnapping' by Angie, who arrived
back at their Swiss home on 2 January to find the place empty. In
a rage she took an overdose of sleeping pills and fell down the
stairs, breaking her nose. She was admitted to the Samaritans' hospital
in Vevey and discharged herself the following day.
9 Statement issued
by Bowie in Berlin, in answer to Angie's accusations:
"My wife was not aware that my son was with me. A few
days before Christmas she decided she would leave Switzerland and
spend the holidays with friends elsewhere. From that day to her
arrival back in 2 January, she didn't phone me or the boy to say
where she was."
13 Joey is returned
to Switzerland with Bowie's permission by Marion. Bowie quashes
rumours that he had filed for divorce. But Angie and Bowie had made
an agreement together and actually celebrated the split. Divorce
proceedings started later, instigated by Angie. |

Bowie back in Berlin. Shooting begins on Just
a Gigolo, directed by David Hemmings, who had visited Bowie
late 1977 in Switzerland.
Filming of Just
a Gigolo continues throughout February at the Cafe Wien on
the Kurfurstendamm in Berlin. Bowie later admitted the real draw
to the picture. "Marlene Dietrich was dangled in front of me." |
|
FEBRUARY |
|
Press interviews are conducted in between shooting,
including one for the Melody Maker
by Michael Watts.
8 Film synopsis for Just
a Gigolo issued by David Hemmings. At that point the film
was titled Gigolo.
After filming, Bowie, fired with inspiration, would
spend the rest of the evening painting and working on various woodcuts. |
18 "Confessions
of an Elitist" interview by Michael Watts, published in Melody
Maker.
20 1978 World Tour plans
announced.
Filming of Just a Gigolo
completed. Bowie holidays in Kenya before joining rehearsals in
the States for his world tour.
Turn
and face the strange by Timothy White published in Crawdaddy. |
|
MARCH |
 |
The 1978 world tour was the most thorough trek around the globe Bowie had made to date. It included dates in the US, Europe, the UK, Australia and Japan. These shows were the first since the 1976 Station to Station tour and included mostly the new material from Low and "Heroes".
Visually, Bowie had developed the white neon tube effect originally used in 1976, suspending the lights at the back of the stage and overhead to box in the effect more. He also brought in coloured spots again to soften the effect.
Bowie's wardrobe was designed for him by old friend, Natasha Kornilof, who came up with the opposite of what was then happening on the London fashion scene.
Musically, as well as including sections of the two most recent LPs, Bowie made the whole show more palatable by including a major slice of the Ziggy Stardust album. |
Carlos Alomar
guitar, backing vocals
Adrian Belew
lead guitar, backing vocals
Simon House
electric violin
Sean Mayes
piano, string ensemble, backing vocals
Roger Powell
keyboards, backing vocals
George Murray
bass, backing vocals
Dennis Davis
drums, percussion |
|
15 Stops off from Kenya at Heathrow Airport for a day in London, prior to flying on to the States for rehearsals.
16 Dallas rehearsals |
25 Bowie with tour band and crew travel on to San Diego to prepare for the first show.
29 San Diego Sports Arena
30 Phoenix Coliseum |
|
APRIL |
|
2 Fresno Convention Centre
3-4 Los Angeles Forum
5 San Francisco, Oakland
Coliseum Arena
6 Los Angeles Forum |
9 Houston Summit
10 Dallas Convention
Centre
Show filmed and broadcast as David Bowie On Stage on US TV |
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11 Baton Rouge, Louisiana
State University
13 Nashville Municipal
Auditorium
14 Memphis, Mid-South
Coliseum
15 Kansas City Municipal
Auditorium
17-18 Chicago, Arie
Crown Theatre
20-21 Detroit, Cobo
Hall
22 Cleveland, Richfield
Coliseum
24 Milwaukee Exposition
Centre
26 Pittsburgh Civic
Arena |
27 Washington DC,
Capital Centre
28-29 Philadelphia,
Spectrum Arena
Both shows recorded for the Stage
live LP.
Interviewed by Flo and Eddie for Phonograph
Record magazine.
Midnight Special
interview with Flo and Eddie broadcast on US TV. Bowie, dressed
in a kimono, talked about Aladdin Sane and the re-creation of Ziggy
Stardust for the '78 tour. |
|
MAY |
|
1 Toronto: Maple Leaf
Gardens
2 Ottowa: Civic Centre
3 Montreal: Forum
5 Providence: Civic Centre
Recorded for Stage
LP
6 Boston: New
Boston Garden Arena.
Recorded for Stage
LP |
 |
7-9 New York, Madison
Square Garden
Bowie leaves the Regency Hotel in New York after
the last show with Brian Eno to celebrate, picking up Bianca Jagger
en route to attend a party at Studio 54 and CBGB's to catch a live
group. Returning they find their limo's tyres slashed.
Bowie invites Eno to come on the tour, just to play on a few numbers. But Eno has a policy of no live work for health reasons. |
|

David Bowie with Eugene Ormandy and The Philadelphia Orchestra Peter and the Wolf LP released in the US. |
Initial pressings of the LP were featured in translucent green (RCA Red Seal RI-12743).
Side One: David Bowie Narrates Prokofiev's Peter and the Wolf
Side Two: Benjamin Britten's Young Person's Guide to the Orchestra
Produced by Jay David Saks
Cover photo from the ChangesOneBowie session by Tom Kelley |
Tony Visconti mixes the Stage tapes in New York in two weeks for quick release.
Stage would serve as a contract filler, promotion of the tour, and help thwart bootleggers who had cashed in on Bowie's 1976 tour with The Thin White Duke bootleg recorded at Nassau Coliseum in New York State. |

12 Iggy Pop's TV Eye live LP released (RCA). Bowie played on four tracks. |
| |
14 Frankfurt, Festhalle
15 Hamburg, Kongress Zentrum
16 Berlin, Deutschlandhalle
The show was halted during Station to Station
when Bowie noticed security manhandling an audience member. Bowie
ordered him in German to stop, which he did and the show resumed. |
18 Essen, Grugahalle
19 Cologne, Sporthalle
20 Munich, Olympiahalle

21 Bremen. Bowie and group
record a 45 minute studio performance for Musikladen Extra. The setlist included: Sense
of Doubt, Beauty and the Beast, Heroes, Stay, The Jean Genie, TVC
15, Alabama Song and Rebel
Rebel, with What In The World as an encore. |
  
22 Vienna, Stadthalle |

23 Cannes
Film Festival. Screens a French dubbed version of Just
a Gigolo for film industry people.
24-25 Paris, Pavillon
de Paris, Porte de Pantin
26 Lyon, Palais des Sports
27 Marseilles, Parc
Chaneau 31 Copenhagen, Falkoner
Teatret, Denmark |
Bowie interviewed by Alan Yentob for BBC 2's Arena
Rock program. |
|
JUNE |
|
1 Copenhagen, Falkoner Teatret.
2 Stockholm, Kungliga Tennishallen.
4 Gothenberg, Scandanavium.
5 Oslo, Ekeberg Hall.
7-9 Rotterdam, Ahoy Sports Palace.
11-12 Brussels.
14-15 Newcastle City Hall. > |

pic: Denis O'Regan
|

16 Newcastle City Hall. Interviewed for Tyne Tees Northern Lights.
19 Glasgow, Apollo. Interviewed for Reporting Scotland. |
20 Glasgow, Apollo. Interviewed earlier by Jonathan Mantle for Vogue (September edition).
21-22 Glasgow, Apollo.
24-26 Stafford, Bingley Hall.
29-30 Earls Court, London. Janet Street-Porter interview for London Weekend Show on the second night. |
|
JULY |
|
 |
1 London: Earls Court
Be My Wife and Sound
And Vision later released on RarestOneBowie. Sound And Vision was a last minute
encore decision by Bowie and hadn't been played live before: "This
is last night stuff, folks!" In attendance were Bowie's mother, Queen's Brian May and Roger Taylor, Ian Dury, Dustin Hoffman,
Bianca Jagger, Bob Geldof, Iggy and David Hemmings. Director Clive Donner and Melvyn Bragg attended the previous night.
Hemmings was shooting the Earls Court shows and
one of the Stafford shows to be part of Bowie's documentary record
of the tour, and one of the first Bewlay Brothers productions. The
film has never been released however excerpts were used on The
London Weekend Show special. This featured clips from the second Earls Court show (Star, Heroes, Hang Onto Yourself), interviews with fans, and a pre-concert interview with Bowie by Janet Street-Porter.
Bowie interviewed in 2000:
UNCUT: A Stage tour film was shot by David Hemmings
at Earls Court. Why was it never released?
DB: I simply didn't like the way it had been shot.
Now, of course, it looks pretty good and I would suspect that it
would make it out some time in the future. |
The Earls Court shows marked the end of the
European leg of the tour, which resumed later in the year.
While in London, Bowie saw the second of Iggy's
Music Machine gigs in Camden Town.
While backstage with Iggy, Johnny Rotten arrived. Bowie and Rotten
had nothing to say to each other. Bowie later said, "I just
sat back and listened." |
During the UK tour Bowie decided to stay in rented
or borrowed flats rather than hotels. Their location was unknown
even to the promoter and the band.
At the end of the tour Bromley Council presented
Bowie with a bill of £38.31 for unpaid rates.
2 Alabama
Song recorded at Visconti's Good Earth studios, London.
8 London Weekend Show special broadcast (40 mins) |
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AUGUST |
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4 Musikladen
Extra television show broadcast in Germany - minus What
In The World - recorded earlier in the summer in Bremen. |
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SEPTEMBER |
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8 Stage
double live LP released by RCA. Recorded at the Boston Philadelphia
and Providence dates, Stage became
a subject of contractual dispute between Bowie and RCA. Bowie claimed that it counted
as two LPs but RCA claimed it was worth one as it was taken from a live performance.
Stage was widely criticised for its tracklisting. Instead of the original running order, the tracks were arranged chronologically, the crowd noise was inaudible and fades between each track, losing much of the live dynamics of the show. Tony Visconti rectified this and restored the original running order of the setlist when he remixed and remastered it
in 2005. |
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Bowie by Lord Snowdon |
Lodger recording sessions at Mountain Studios, Montreux.
Vogue (UK) issue including feature and interview with Bowie by Jonathan Mantle and photographs by Snowdon, taken in Berlin just after Just a Gigolo filming in February. |

An Evening With David Bowie released in US (RCA DJL1-3016) |
Released to promote Stage, the exclusive Superstars Radio Network interview was recorded earlier in the year at Bowie's apartment in New York.
Bowie talks candidly about his life, career, and influences.
Intercut with live music tracks taken from the Stage LP. |
|

Star / What
In The World / Breaking Glass
promotional maxi single released (RCA) |
25 Bowie in Paris for a photo session for Italian Vogue (December edition).

|
Phone interview
for Australian radio series, The Golden
Years of David Bowie, broadcast on the last night of
Bowie's Sydney concerts in November.
Q: Is there something that you have not achieved
that you wanted to?
DB: Swimming (laughs). You've gotta believe
this, I only learnt to swim last week. I'm very proud of myself.
I can do the crawl. I can only do one length. I've got very good,
sort of, lung power and can hold my breath 'cos I can't breathe
yet. So I can't come back (laughs). When I get to the
other end I'm stuck 'cos I'm out of breath. But I like snorkelling
a lot, so I really want to learn to swim. So I learnt to crawl and
as long as I've got a snorkel in my mouth, I'll go round anywhere,
any distance. I'm pretty foolhardy about water, that's why I love
ships and I love sailing. |
|
OCTOBER |
|
The world premiere of Just
a Gigolo cancelled in Germany for one month because of difficulties
in the translation from English to German. The main cut of the film
was drastically different to the version later seen in England. |
A press release was issued from Bowie's office to
answer rumours that he was preparing to leave RCA for another label: "In answer to the numerous rumours concerning my recording
activities, I wish to clear the air and set the record straight.
At present and for the foreseeable future I am under contract to
RCA Records and at no time have I engaged in any negotiations to
alter that status.
My relationship with RCA has been a long and
rewarding one and any rumours that I am signing with another label
are completely false and erroneous." |
|
NOVEMBER |
|
 |
Bowie's first tour of Australia. He arrived quietly
in Australia in early November. No arrival date was given to the
press.
On the flight the captain announced that he was
closing down one of the engines because it was spilling oil. "Awfully
decent of him to tell us," Bowie told a small gathering of
Australian press.
Large press conferences were ruled out by Bowie
who preferred to call a number of smaller meetings over the next
two days. The interviews were arranged through the tour promoter,
Paul Dainty. |
Bowie described how he felt about the Australian
tour:
I'm looking forward to it. It's a long way to
go and there have been times in the past when I considered it. But
now we're about to start, I'm very happy.
11 Adelaide. The first
Australian show
14 Perth |
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Interviewed by Ian Meldrum for Australian music show, Countdown. Opening with live footage of Alabama Song, the interview was done on an indoor tennis court. Meldrum would interview Bowie again in '79 and '80.
Bowie's keyboardist
Roger Powell was not unavailable for the latter part of the tour,
replaced by Australian Denis Garcia. |
 |
16 The world premiere
of Just a Gigolo (Schoner Gigolo - Armer
Gigolo) at the Gloria Palast, Kurfurstendamm, Berlin. The
show was attended by most of the cast of the film (except Bowie).
It was badly reviewed and taken off the German circuit before being
seen by the public. David Hemmings began work on a new edit in London. |

17 Breaking
Glass / Art Decade, Ziggy
Stardust single released by RCA |
|
18 Melbourne Cricket
Ground.
The show was billed, 'Come Rain Or Shine' - it
poured.
The National Times
said, 'The light show, like the artist when illuminated, was an
example of true excellence.' |
24-25 Sydney Showground.
The last of Bowie's sell-out Australian shows.
Supported on the Australian tour by Australian group The Angels. This was the first time
for over five years Bowie had a support act. |
Tickets for the Sydney concerts cost $12.50
(approximately £8.00).
 |
The piano used on tour, a Bechstein, was originally
wood grain coloured. It was painted black for studio work, blue
for a TV special, black for private use, white for Rod Stewart's
1977 tour of Australia, and black again for Bowie. |
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21 Brisbane, Lang
Park
Bowie, as usual while on tour, caused controversy.
A Brisbane newspaper reported:
"David Bowie today (22 November 78) received some noisy
feedback from Queensland's minister in charge of noise, Mr Russ
Hinze, following the pop star's open-air concert last night. 'These
pop singers come out here to make a quick quid by disturbing our
peace and tranquillity,' Mr Hinze said. 'The fact that he's a pommie
as well wouldn't help.'
Mr Hinze, who is the minister for local government,
said the newly-formed Noise Abatement Authority will investigate
complaints that last night's Bowie concert at Lang Park, Brisbane,
disturbed the peace.
It was reported that the
noise was loud enough to be heard 6 km away. Residents of the suburbs
of Paddington, Barton and Milton described it as 'intolerable'. |

It is estimated that 40,000 kg of equipment will
accompany the 31 year-old cult hero, including an intricate system
of fluorescent lights. A fleet of seven semi-trailers will be used
to transport the equipment around Australia." |
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28 Sydney: Interviewed on Willesee At Seven by Mike Willesee.
Bowie awarded a plaque
for Outstanding Sales by the Australian office of RCA. It was
later given to a charity.
To capitalise on the excitement The
Man Who Fell to Earth was rereleased on the Australian circuit. Bowie left Australia as quietly as he had arrived,
travelling to Japan to finish his tour. |
|
DECEMBER |
 |
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|
6 Osaka: Koseinenkin Kaikan.
Bowie's first Japanese show of the tour. Broadcast
on Japanese radio. Interview on Japanese TV Star Sen Ichi Ya.
Q. You have a son and his name is Zowie?
DB: One of his names.
Q. Is there a meaning to Zowie?
DB: No.
Q. And how old is he?
DB: Seven-and-a-half.
Q. Does he look like you?
DB: Yes.
Q. Which bit?
DB: Um, not the eyes (laughs). He's blond and very lively. He's not interested in music at all.
Q. He's not going to take after you?
DB: No, he likes mathematics (laughs).
Q. Weren't you very smart when you were a boy?
DB: No, I used to fall over a lot!
7 Osaka, Koseinenkin Kaikan.
9 Osaka, Banpaku Kaikan. |
11 Tokyo: NHK Hall
Australian magazine Juke
article published:
"Rumours … that bizarre rocker David Bowie was paid
for his Australian tour in gold to avoid customs and taxation, and
made it into jewellery … Rumours have been established as false,
a spokesman for the tour said … 'If he'd been paid in gold he
would have lugged around a nugget as big as a bumper bar.'
12 Tokyo, NHK Hall.
Bowie's last show in Japan, and the end of his world tour. The Young Music Show recorded for television. When
broadcast the show was condensed to one hour. Tracks: Warszawa, Heroes,
Fame, Beauty and the Beast, Five Years, Soul Love, Star, Hang Onto
Yourself, Ziggy Stardust, Suffragette City, Station To Station,
TVC15
Just a Gigolo premiered in Japan. The official party took place at the Roppongi disco. Bowie attended dressed in a recently-tailored silk suit with lady friend, Dewi Sukarno.
25 Bowie spends Christmas in Tokyo. |